1976年，一名会计师因莫须有的罪名，将面临不公正的刑事判罚，他决心一斗到底。西班牙导演阿尔韦托·罗德里格斯（《千面人》）阔别6年重回大银幕的新作，根据真实事件创作，于现已关闭的巴塞罗那莫德罗监狱内实景拍摄，回溯1976年弗朗哥去世后的西班牙民主过渡期。影片巧用突然惊吓营造惊悚气氛，反映狱警对犯人的多种惨无人道的摧残；藉由民愤轮番上演花式越狱，点燃普通人的求生之火，强烈抨击国家法律体系的不公。荣获2023年西班牙戈雅奖16项提名，最终揽获最佳美术指导等5项技术大奖。
A group of friends get trapped at a amusement park and strike out an attempt to survive against a mutated rat known as The Killer.
几个年轻人雇了一部拖车拉了一部大货柜车到一个农场谷仓，准备通宵达旦的娱乐一番，他们想这一定是个有趣的夜晚，这部拖车经过一位农夫，拖车过后，农夫将一老树连根拔起，意外发现一座久被遗忘的坟墓，农夫撬开墓碑及一个木箱，该木箱附上一个碑铭：「这个恶魔将吃你的肉，喝你的血，而你也将变成恶魔」农夫打开木箱后，赫然发现里面躺著一个面目苍白，瘦骨嶙峋的男士，是死的，静默无声，但会动，农夫被拉进木箱，然后被远远地抛开，接著要来复仇的死尸，它爬到农夫旁边开始吃起来，农夫仍抽搐著站起来，饥饿地曳足而行，而且到处有死尸的咆哮声，各式各种的人皆从坟墓爬出来，这个晚上变成一场大屠杀，这几个年轻人受到死尸及其受害者的攻击，其受害者，爬起来并饿的想吃活人，这是一个不可知又奇特的恐怖世界。
血腥的修女回来了，这次是在妓院里释放的，邪恶的受害者会在夜晚生存吗？
宫廷画师陆九卿意外用神笔打开画中世界，与草木精灵颜歌相遇。城内女子面容接连被毁，为查明真相，二人进入生死墓。妖王剥去众草木精灵面皮，丢失美貌的颜歌变狰狞枯枝，一场皮囊与真心的考验，摆在陆九卿面前……
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space". brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'
位于东京的某区，山野一家三口过着富庶自在的生活。2010年9月3日，姐姐春花（青山伦子 饰）从美国归来，此前她在旅行中遭遇一场车祸，致令双腿严重骨折。弟弟幸一（中村苍 饰）是个开朗阳光的大男孩，他拿着新买的摄像机拍下了山野家生活的点点滴滴。由于父亲公务繁忙，平时只有姐弟二人在家。平静的日子并未持续太久，一丝不安便在屋子内肆意弥漫。春花发现，每当次日醒来床边的轮椅便会发生移动。为了探明真相，幸一决定在姐姐的卧房内安置摄像机，监控夜晚的情况。在屏幕前，不可思议的景象接连发生，姐弟俩似乎也陷入恶魔的诅咒中，无法逃脱…… 本片为恐怖片《鬼影实录》的日本版。
艾伦·佩吉（Ellen Page）正在洽谈主演索尼哥伦比亚影业翻拍的1990年恐怖片《灵异空间》（Flatliners），该片又名《别闯阴阳界》或《脉搏探测器》，将由瑞典版《龙纹身的女孩》导演涅尔斯·阿登·欧普勒夫（Niels Arden Oplev）执导、《源代码》（Source Code）编剧本·瑞普利（Ben Ripley）改编。 《灵异空间》讲述几个医学院的学生为了体验死后的感觉进行了一项大胆的试验：他们瞬间停止心脏跳动和大脑机能，达到临床死亡状态，然后很快恢复。试验成功了，但他们始终无法忘却那恐怖的濒死体验，而且有些东西似乎也随着他们死而复活来到了阳间。
号称是美国七十年代最非著名的一部科幻电影杰作，导演索尔·巴斯是设计师，还曾两次获过奥斯卡奖，但不知为何这部经典的心理科幻片至今都没出DVD。 Desert ants suddenly form a collective intelligence and begin to wage war on the desert inhabitants. It is up to two scientists and a stray girl they rescue from the ants to destroy them. But the ants have other ideas. Phase IV is an incredible full length feature film by Saul Bass who is most acclaimed as a graphic designer who's work can be seen as the opening credits from The Seven Year Itch, Vertigo, West Side Story to Alien, Broadcast News and Casino. Phase IV is a much overlooked film that is very much in the style of The Andromeda Strain. What it perhaps lacks in story, it gains in the photography of the millions of ants. 索尔·巴斯，美国动画片绘制家、美工师、导演，1920年5月8日生于纽约市，少年时曾经在布鲁克林学院学习绘画，毕业后从事过十年自由职业设计师的职业，1946年在洛杉矶创立索尔·巴斯合作公司。他在为一些影片进行美术设计时，猜出心裁地为片头片尾的演职人员表配上生动活泼的动画人物，这些动画人物的形态动作巧妙地提示了影片的主题，反映了影片的基调，从而使单调乏味的演职人员表和谐地成为了影片不可或缺的一部分，这种大胆的创新丰富了电影的表现形式，广受观众们的喜爱，其后为不少国家的影片所沿用。索尔·巴斯设计片头片尾的影片以《卡门·琼斯》(1955)、《红衣主教》(1963)等片最为著名。此外，他还监制和导演了很多电视广告片、动画片片和纪录片，如《敏锐的眼光》(1963)、《第四相》(1974)等。
When the President learns that domestic terrorists have skyjacked the passenger jet her brother is flying...
一座风景秀美的小镇被一场突如其来的浓雾瞬间淹没。雾中传来阵阵惨叫，人们惊慌失措地四处逃散。戴维和他的儿子与众多镇上的人被困在小镇超市里，等待雾的消散。浓雾并没有如期望的散开，而走进浓雾的人一去不返。浓雾逐渐露出了它狰狞的面目。恐惧、惊慌、挣扎、悲伤、绝望……人们的精神濒临崩溃。如何才能活着走出迷雾？面对超市里几近癫狂的人们和超市外吞噬一切、不可知的迷雾，戴维紧紧搂着儿子，开始了艰难的求生之路……
凯尔·普拉特(茱迪·福斯特饰)的丈夫坠楼身亡，满心创痛的她只想尽快带着6岁的女儿赶回温暖的家，登上从柏林飞往纽约的飞机。然而飞机起飞后女儿不翼而飞。所有的证据都证明她的女儿没有登机，所有的人都怀疑凯尔的神经有问题，但是作为一个母亲，她深信不疑自己的女儿就在这架飞机上，并 且誓要把莫名失踪的女儿找回来。凯尔是飞机的设计者，对于飞机的每一个内部构造都了然于心，带领观众揭开飞机每一个构造的时候，也纷纷揭开了一个惊天的阴谋。最终飞机爆炸，紧急迫降。当被疏散的乘客和机组人员看见飞机上走下抱着女儿的凯尔时，对母亲的决心和信心涤荡起从心而起的尊敬。
