追忆往事

　　A group of friends get trapped at a amusement park and strike out an attempt to survive against a mutated rat known as The Killer.

　　几个年轻人雇了一部拖车拉了一部大货柜车到一个农场谷仓，准备通宵达旦的娱乐一番，他们想这一定是个有趣的夜晚，这部拖车经过一位农夫，拖车过后，农夫将一老树连根拔起，意外发现一座久被遗忘的坟墓，农夫撬开墓碑及一个木箱，该木箱附上一个碑铭：「这个恶魔将吃你的肉，喝你的血，而你也将变成恶魔」农夫打开木箱后，赫然发现里面躺著一个面目苍白，瘦骨嶙峋的男士，是死的，静默无声，但会动，农夫被拉进木箱，然后被远远地抛开，接著要来复仇的死尸，它爬到农夫旁边开始吃起来，农夫仍抽搐著站起来，饥饿地曳足而行，而且到处有死尸的咆哮声，各式各种的人皆从坟墓爬出来，这个晚上变成一场大屠杀，这几个年轻人受到死尸及其受害者的攻击，其受害者，爬起来并饿的想吃活人，这是一个不可知又奇特的恐怖世界。

　　讲述漫画家Edgar在离婚后搬回家与父母同住，在他哥哥以前的房间里发现了一个魔偶，他于是动心想去纪念Toulon谋杀3 0周年的集会上卖掉它。当他和新女友Ashley一起到达后，发现并不是只有他们想卖掉木偶，所有的木偶都活了过来，步步紧逼，向那些少数名族下手。 虽然属于魔偶系列，这部至小帝国却和1968年的《活死人之夜》很类似，在室内如一家小旅馆里展开情节，游客和住户必须群起而攻之。Edgar的独白告诉观众，为什么Toulon要设计这些木偶，他们很小，却极易在最不可能的情况下击垮你。
　　影片让我们真实面对来自现实世界的恐惧，还构建了一个虚拟架构，让观众能置身在自己幻想的暴力世界里。

　　인기 개그맨 유세윤은 14살의 어느 날
　　이상한 동작을 반복하거나 의미를 알 수 없는
　　말들을 내뱉는 등 기이한 행동을 보이기 시작한다…
　　
　　그 행동은 점점 사라졌지만 그 당시의 세윤을 목격한
　　가족들과 그의 지인들에겐 여전히 끔찍한 기억으로 남아있다
　　
　　그러던 어느 날, 이제는 한 가정의 가장이 된 세윤에게
　　또다시 정체불명의 소리가 들려오고…
　　‘그것’은 점점 더 그를 괴롭히기 시작하는데…
　　
　　인기 개그맨 유세윤을 둘러싼 15일간의 기록!
　　‘그것’의 충격적 정체가 밝혀진다!

　　马丁·贝伦斯为德国联邦情报局工作。一天，他从他的一个联系人那里得到信息，导致无人驾驶飞机对一个被扎希里斯坦政府通缉的恐怖分子发动袭击。几天后，恐怖分子袭击慕尼黑一家餐馆，报复无人机袭击，他的生活迅速失控。马丁试图找出谁是这次袭击的责任人，并了解到答案就在离家不舒服的地方。

　　One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .

　　Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present.
　　Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.

　　Sir Karell Borotyn appears to have been killed by Count Mora, a vampire believed to haunt the local village. Now his daughter Irena is the count's next target. Enter Professor Zelen, an expert on vampires who's sent in to prevent her death. At the same time, secrets are revealed surrounding the circumstances of Sir Karell's death.

　　Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".
　　brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.
　　Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'

　　艾伦·佩吉（Ellen Page）正在洽谈主演索尼哥伦比亚影业翻拍的1990年恐怖片《灵异空间》（Flatliners），该片又名《别闯阴阳界》或《脉搏探测器》，将由瑞典版《龙纹身的女孩》导演涅尔斯·阿登·欧普勒夫（Niels Arden Oplev）执导、《源代码》（Source Code）编剧本·瑞普利（Ben Ripley）改编。
　　《灵异空间》讲述几个医学院的学生为了体验死后的感觉进行了一项大胆的试验：他们瞬间停止心脏跳动和大脑机能，达到临床死亡状态，然后很快恢复。试验成功了，但他们始终无法忘却那恐怖的濒死体验，而且有些东西似乎也随着他们死而复活来到了阳间。

　　精神医学博士金舒克罗伊获得印度大城加尔各答警局的聘用，成为常驻犯罪学家。 当地发生一连串离奇的杀警案，遇害的警察们遭到掳走后，活生生地被挖出心脏，且尸体旁总是会放着一个刻了圣经经文的十字架。 金舒克和调查小组查案的过程中，屡屡受到凶手的摆布，当案情有了重大进展时，金舒克更意外挖出印度警方的黑暗内幕...

　　Someone downloads an app on your phone behind your back. It looks like an augmented reality game, but soon you realize it's an app that connects to the world of the dead, which allows you to see the dead through the camera of the phone. On the screen you see a countdown timer starting from 24 hours and before it reaches zero, you have to download the app to someone else's phone to earn 24 more hours. And you must do it every single day. What would you do? Would you continue passing this curse and condemning other people?