一群年轻人误闯一个神秘村庄，惨遭杀害，但其实……
数百年前，吸血鬼韦恩·格雷茨基（Adam Johnson 饰）与美丽的人类女孩玛丽（Julie Gonzalo 饰）相恋，但却不慎咬死对方，他从此也失去吸血的能力。当代社会，格雷茨基化身历史学教师在霍桑大学任教，他风趣幽默，举止怪异，得到学生们的喜爱，只有列文校长（Gary Cole 饰）知道他的秘密，并尝试为他做心理辅导。这一日，美丽的少女克莉丝（Julie Gonzalo 饰）出现在格雷茨基面前，令这个吸血鬼找回久违的能力。原来克莉丝与玛丽长得一模一样，而她真正的身份更令格雷茨基震惊。 干柴烈火之后，是一发不可收拾的吸血鬼大事件。克莉丝的青梅竹马弗雷德（Maclain Nelson 饰）及其好友汤姆（Matt Mattson 饰），以及灰头土脸的格雷茨基必须尽快收拾血腥残局……
A group of friends get trapped at a amusement park and strike out an attempt to survive against a mutated rat known as The Killer.
讲述了八个哥伦比亚游击队少年在山区基地中看守一名美国俘虏的故事，他们经历的一系列事件让人开始反思成长、反叛、规训等主题。雨林、山丘、激流的壮丽背景与叙事的残酷相辅相成，精彩的配乐和变幻莫测的剪辑同样令人赞叹。本片获第35届圣丹斯电影节评审团特别奖。
几个年轻人雇了一部拖车拉了一部大货柜车到一个农场谷仓，准备通宵达旦的娱乐一番，他们想这一定是个有趣的夜晚，这部拖车经过一位农夫，拖车过后，农夫将一老树连根拔起，意外发现一座久被遗忘的坟墓，农夫撬开墓碑及一个木箱，该木箱附上一个碑铭：「这个恶魔将吃你的肉，喝你的血，而你也将变成恶魔」农夫打开木箱后，赫然发现里面躺著一个面目苍白，瘦骨嶙峋的男士，是死的，静默无声，但会动，农夫被拉进木箱，然后被远远地抛开，接著要来复仇的死尸，它爬到农夫旁边开始吃起来，农夫仍抽搐著站起来，饥饿地曳足而行，而且到处有死尸的咆哮声，各式各种的人皆从坟墓爬出来，这个晚上变成一场大屠杀，这几个年轻人受到死尸及其受害者的攻击，其受害者，爬起来并饿的想吃活人，这是一个不可知又奇特的恐怖世界。
血腥的修女回来了，这次是在妓院里释放的，邪恶的受害者会在夜晚生存吗？
某天，漫画家“宅男”加班到深夜不得不坐末班地铁回家，同时搭上这班地铁的还有其他6位个性和职业都相差甚远的乘客。然而列车刚刚运行不久，一件无比惊悚的事情发生了——这趟末班地铁竟然只能在同一个车站之间循环往复！要想逃离这个灾难也只有一个方法！伴随着乘客们彼此之间猜忌怀疑的升级，以及灵异地铁终极谜底的层层揭开，一幕幕血腥事件开始逐一上演……
One of the five sci-fi's I remember every single detail of from my earliest days as a fan. For the genre, I think it's considerably above average. The moor is nicely atmospheric. There's one of every character in the book: the good guy, the bad guy, the local sheriff, the lovely damsel, her father the old professor, etc. The scene where we're looking for the first time through the window of the ship and the visitor peeks out from the other side is easily as good as the three-fingered-hand-on-the-shoulder in War of the Worlds. Nice "character" to the visitor, for whom, like Karloff's Frankenstein, we end up feeling some empathy .
Following her mother’s death, manga artist Soriya travels to her ancestral home in Phnom Penh, with hopes of reconnecting with her distant family and using the visit as inspiration for her work. All goes well initially. Renting an apartment in Metta, a rundown Khmer Rouge-era housing complex, her visit to her maternal relatives finds her welcomed with open arms. But Soriya’s waking hours in the apartment and its surroundings are punctuated by terrifying, bloody visions, almost as though she were a conduit for horrors of the past wanting to seep into the present. Inrasothythep Neth and Sokyou Chea’s blood-chilling psychological horror explores a personal and political past through the present, transforming a characterful space into an insidious environment. Surrounded by modern high-rises, this decrepit structure, with its brutalist architecture and peeling surfaces, is a relic from a dark period in history whose painful memories it has absorbed. In tracing Soriya’s ominous journey back to her roots, Tenement hints at a necessary reckoning with Cambodia’s political past without overplaying its historical dimension. It’s an impressive work from a woefully underrepresented national cinema.
Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space". brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'
Eric、Pat、Jojo、龙、Bill、Ken、岚七个人本拟往离岛路营，但怎料碰上狂风暴雨，一行人来到一间空屋避雨。当夜，怪事连连，但谁也不以为然，而Jojo联同Bill及Ben捉弄龙，令龙无地自容，结果龙羞愤交加下被魔力扯进镜内。翌日，众人商议再停留一天，而龙则避不见人，众人以为龙因昨晚之事而发脾气，怎料Ken失踪，Bill、Jojo先后被杀，Eric等这才发觉龙有异样……
精神医学博士金舒克罗伊获得印度大城加尔各答警局的聘用，成为常驻犯罪学家。 当地发生一连串离奇的杀警案，遇害的警察们遭到掳走后，活生生地被挖出心脏，且尸体旁总是会放着一个刻了圣经经文的十字架。 金舒克和调查小组查案的过程中，屡屡受到凶手的摆布，当案情有了重大进展时，金舒克更意外挖出印度警方的黑暗内幕...
小玲（程媛媛 饰）与金（李抒航 饰）是一对令人羡慕的情侣，迫于生活的压力，俩人住进了独居妖艳的陈女士（孔维 饰）的出租屋。每当夜幕降临，古屋的布娃娃都会制造各种恐怖事件。同时，陈女士千方百计的勾引金，让小玲步入崩溃边缘。万念俱灰的小玲饮下了千年魔汁，变成了再没有喜怒哀乐的布娃娃，而金则由于背叛爱情，堕入了万劫不复的深渊……
