沉默之夜

1987年，一群辅导员在夏令营的最后一晚意外地释放了几十年的邪恶。

　　该片故事改编自布朗纳撰写的文章《追踪弗雷 加德特工》(Chasing Agent Freegard)，讲述一桩真实发生的故事，职业骗子罗伯特·弗雷加德(诺顿饰)是个操纵人心的高手，他让无数受害者相信他是军情五处的卧底，以此敲诈和绑架他们。阿特登所饰的角色最初为他的魅力所倾倒，后来成为了弗雷加德垮台的关键人物，她的行动导致他被定罪和逮捕。

　　讲述漫画家Edgar在离婚后搬回家与父母同住，在他哥哥以前的房间里发现了一个魔偶，他于是动心想去纪念Toulon谋杀3 0周年的集会上卖掉它。当他和新女友Ashley一起到达后，发现并不是只有他们想卖掉木偶，所有的木偶都活了过来，步步紧逼，向那些少数名族下手。 虽然属于魔偶系列，这部至小帝国却和1968年的《活死人之夜》很类似，在室内如一家小旅馆里展开情节，游客和住户必须群起而攻之。Edgar的独白告诉观众，为什么Toulon要设计这些木偶，他们很小，却极易在最不可能的情况下击垮你。
　　影片让我们真实面对来自现实世界的恐惧，还构建了一个虚拟架构，让观众能置身在自己幻想的暴力世界里。

　　인기 개그맨 유세윤은 14살의 어느 날
　　이상한 동작을 반복하거나 의미를 알 수 없는
　　말들을 내뱉는 등 기이한 행동을 보이기 시작한다…
　　
　　그 행동은 점점 사라졌지만 그 당시의 세윤을 목격한
　　가족들과 그의 지인들에겐 여전히 끔찍한 기억으로 남아있다
　　
　　그러던 어느 날, 이제는 한 가정의 가장이 된 세윤에게
　　또다시 정체불명의 소리가 들려오고…
　　‘그것’은 점점 더 그를 괴롭히기 시작하는데…
　　
　　인기 개그맨 유세윤을 둘러싼 15일간의 기록!
　　‘그것’의 충격적 정체가 밝혀진다!

　　宫廷画师陆九卿意外用神笔打开画中世界，与草木精灵颜歌相遇。城内女子面容接连被毁，为查明真相，二人进入生死墓。妖王剥去众草木精灵面皮，丢失美貌的颜歌变狰狞枯枝，一场皮囊与真心的考验，摆在陆九卿面前……

　　讲述一群高年级学生在智能房子里庆祝他们最后的大学时光时，房子里高度先进的人工智能系统 Margaux 开始呈现它的致命存在，它打算以各种方式消灭它的房客。一个无忧无虑的周末派对变成了一场反乌托邦的噩梦。

　　Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space".
　　brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels.
　　Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'

　　位于东京的某区，山野一家三口过着富庶自在的生活。2010年9月3日，姐姐春花（青山伦子 饰）从美国归来，此前她在旅行中遭遇一场车祸，致令双腿严重骨折。弟弟幸一（中村苍 饰）是个开朗阳光的大男孩，他拿着新买的摄像机拍下了山野家生活的点点滴滴。由于父亲公务繁忙，平时只有姐弟二人在家。平静的日子并未持续太久，一丝不安便在屋子内肆意弥漫。春花发现，每当次日醒来床边的轮椅便会发生移动。为了探明真相，幸一决定在姐姐的卧房内安置摄像机，监控夜晚的情况。在屏幕前，不可思议的景象接连发生，姐弟俩似乎也陷入恶魔的诅咒中，无法逃脱……
　　本片为恐怖片《鬼影实录》的日本版。

　　Eric、Pat、Jojo、龙、Bill、Ken、岚七个人本拟往离岛路营，但怎料碰上狂风暴雨，一行人来到一间空屋避雨。当夜，怪事连连，但谁也不以为然，而Jojo联同Bill及Ben捉弄龙，令龙无地自容，结果龙羞愤交加下被魔力扯进镜内。翌日，众人商议再停留一天，而龙则避不见人，众人以为龙因昨晚之事而发脾气，怎料Ken失踪，Bill、Jojo先后被杀，Eric等这才发觉龙有异样……

　　一个麻烦缠身的前海军陆战队队员开始了最后一个任务，就是要报复四个抢了他唯一美丽东西的人。

　　Santos Trinidad是一名经验丰富但落魄不得志的老警官，在追踪少女失踪案件过程中遇上了一起枪击案，留下三具尸体，唯一的目击者下落不明。

　　号称是美国七十年代最非著名的一部科幻电影杰作，导演索尔·巴斯是设计师，还曾两次获过奥斯卡奖，但不知为何这部经典的心理科幻片至今都没出DVD。
　　Desert ants suddenly form a collective intelligence and begin to wage war on the desert inhabitants. It is up to two scientists and a stray girl they rescue from the ants to destroy them. But the ants have other ideas.
　　Phase IV is an incredible full length feature film by Saul Bass who is most acclaimed as a graphic designer who's work can be seen as the opening credits from The Seven Year Itch, Vertigo, West Side Story to Alien, Broadcast News and Casino. Phase IV is a much overlooked film that is very much in the style of The Andromeda Strain. What it perhaps lacks in story, it gains in the photography of the millions of ants.
　　索尔·巴斯，美国动画片绘制家、美工师、导演，1920年5月8日生于纽约市，少年时曾经在布鲁克林学院学习绘画，毕业后从事过十年自由职业设计师的职业，1946年在洛杉矶创立索尔·巴斯合作公司。他在为一些影片进行美术设计时，猜出心裁地为片头片尾的演职人员表配上生动活泼的动画人物，这些动画人物的形态动作巧妙地提示了影片的主题，反映了影片的基调，从而使单调乏味的演职人员表和谐地成为了影片不可或缺的一部分，这种大胆的创新丰富了电影的表现形式，广受观众们的喜爱，其后为不少国家的影片所沿用。索尔·巴斯设计片头片尾的影片以《卡门·琼斯》(1955)、《红衣主教》(1963)等片最为著名。此外，他还监制和导演了很多电视广告片、动画片片和纪录片，如《敏锐的眼光》(1963)、《第四相》(1974)等。